Paint In The Style Of: a July of acrylics
Each session, we borrow a great painter's eyes for the day. This July it's acrylics — Monet, Charlie Easton, Glyn Macey and Paul Kenton — plus £6 tasters to get you brave.
The work
Watercolour, acrylics, oils and mixed media — the work, the articles and the technique behind it. Pick a medium to dive in, or browse the journal below.
Four ways I work — each with its own articles, demos and notes from the studio.
Beyond the core mediums — illustration projects and teaching resources.
Illustration projects and the children's-book workshops at the Barn.
Teaching resources and structured plans from twenty years in the classroom.
Workshops in Cornwall and self-paced online courses — see what's running.
Latest articles across every medium — newest first.
Each session, we borrow a great painter's eyes for the day. This July it's acrylics — Monet, Charlie Easton, Glyn Macey and Paul Kenton — plus £6 tasters to get you brave.
I have a Potensic Atom SE drone. Under 249 grams. 31 minutes flight time. Folds down small enough to fit in a cycling pack.
I was listening to an Adam Buxton podcast — Emma Diddy, as it happened — and she used a phrase that was slightly coarse and completely right. Something you’d only say to…
The drone was in its box for fourteen months.
Not a grand artistic statement. Not a finished piece. Just a mark, every day, that proves you showed up.
Your brain is a survival machine. It's been filtering out beauty since the Stone Age.
The mind/body/soul connection isn't a wellness cliché — it's a creative operating system.
The moment a student picks up a brush for the first time tells you everything about how humans approach change.
The one habit that fixes most watercolour mistakes — and it costs you nothing but a second of looking.
The five-tone trick that does more for your painting than any colour you'll ever mix.
Everything you need to paint outdoors, and nothing you don't, packed small enough to ride with.
Pen, ink, a little wash, and the courage to work fast in front of strangers.
A painter's guide to the Cornish coast — St Ives, Bedruthan, Wheal Coates, Charlestown, Fowey, Kynance — and how to paint each one without painting the postcard.
The books behind the Children's Book Workshop — and why the best picture books are a masterclass in everything art school forgets to teach.
"I can't draw a straight line" is not a verdict. It's a habit. Here are the exercises that break it — free, and in the open.
One of my art group was particularly taken with the work of Paul Kenton, and why not? Amazing work, huge canvases, very expressive, tour de force in perspective. And so we…
An exploration of impasto layering with a palette knife and colour theory exercise experimenting with techniques and their results for a future large scale painting.
Every character starts with a single line. These sketches are from an ongoing picture book project — building personality through gesture and expression.
Everyone talks about creative block.
Hello, and welcome.
Workshops at the Cornish Craft Barn run through the year, and online courses are on the way. Browse the dates or get in touch.